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supported by 11 fans who also own “Fisherman At The End Of The World”
Wonderful nordic songs, full of character and atmosphere. Feels very authentic and shows a softer and more playful side of parts of Heilung and other great artists collaborating on this project.
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supported by 8 fans who also own “Fisherman At The End Of The World”
This might be my favourite of Heilung. They've improved a bit on their later releases but their debut is still much meaner, and darker. Maria's amazing voice obviously steals the show but I also quite like Kai's too, especially on the live performance. In fact I'd say get LIFA over this IMO. The spoken word bits are really cool to hear proto-germanic in use but for relistening purposes they are going to be a bit obtrusive. Nevertheless the proper music here is on continual repeat for me.
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supported by 7 fans who also own “Fisherman At The End Of The World”
i like this version better than the original. The middle part has that aggression that makes the excellent balance with the beginning and ending of the song.
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Wildly uncategorizable music from Cardiff full of fat synths, blissful vocal harmonies and hard-hitting beats.
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Blissful electronic pop with quick rhythms and meaningful lyrics aims to uplift, liberate, and heal.
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The enigmatic Frank Ene's solo record lives in a magical world where Serge Gainsbourg fronts Yellow Magic Orchestra.
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supported by 6 fans who also own “Fisherman At The End Of The World”
The work done for this EP is remarkable, for the music and for the CD's look. Kati Rán truly is a great artist.
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